Ranking the seasons: Dexter

The fifth installment of Showtime’s serial killer saga, “Dexter”, delivered the highest ratings yet, and the show was already the most watched in network history, so we can probably assume the series will go as long as star Michael C. Hall remains interested.  (Fun fact: Hall’s marriage to co-star Jennifer Carpenter [AKA Dexter's sister Deb] is apparently headed for divorce, which could add some extra tension to the set as both will be back next year.)  But, ratings aside, how did this season stack up to the rest on a scale of 1 to awesome? Let’s rank them shits.

1. Season One
Primary Season Long Arc: The Ice Truck Killer
Dexter’s Love Interest: Rita
Deb’s Love Interest: Rudy
The Gist: “Tonight’s the night.” The bright colors of Miami  juxtapose with the detached, sardonic voice over – the Dexter deadpan.  Enter Dexter Morgan – blood spatter forensics expert by day, blood spattering serial killer by night.  He’s cleaning up the streets of Florida the old fashioned way – by dumping garbage bags full of the mutilated bodies of criminals into the Atlantic.  The clash of styles between the emotionless Dexter and the flair of Miami’s culture – from loud music to loud shirts – were still new and exciting in the first season.   These style elements eventually became routine, but what really cements the debut season as a clear number 1 was a plot that was mysterious not only on the surface level of the twists and turns of the Ice Truck Killer case, but in terms of digging into Dexter’s past and uncovering something that fundamentally changes his interpretation of his own identity.  It was almost an origin story that pieced itself together in flashbacks over the course of the season. The writers would try to repeat this in future seasons but would ultimately fail to satisfy.

2. Season Four
Primary Season Long Arc: The Trinity Killer
Dexter’s Love Interest: Rita (married)
Deb’s Love Interest: Anton and Lundy
The Gist: Dexter’s 4th installment is best known for the shock of the season’s cliffhanger ending – Dexter returning home to find his wife, Rita, murdered in the bathtub.  The season also had another shocking death earlier in the year as Agent Lundy is shot and killed in the middle of a conversation with Deb.  It’s probably those dramatic exits of 2 longtime characters that push this season just above the rest of the pack, but John Lithgow made a decent serial killer in his guest stint as well.

3. Season Three
Primary Season Long Arc: DA Miguel Prado gets hands on with some perps
Dexter’s Love Interest: Rita (engaged)
Deb’s Love Interest: Anton
The Gist: The 3rd season is nuts.  Somehow Dexter becomes a serial killing mentor to district attorney Miguel Prado, played by Jimmy Smits.  Despite the goofiness of the DA/serial killer tandem-ing, I actually liked Smits.  Eventually, though, the conflict that arises between him and Dexter gets a little melodramatic and seems to drag on for too long before it finally resolves itself in a completely predictable fashion.  A lot of the side stories really started to get annoying this year, too – like Deb banging the partially skinned club musician,  Anton (David Ramsey).  During those scenes I was hoping Miguel and Dexter would burst into my actual house and put me out of my misery.

4. Season Five
Primary Season Long Arc: Jordan Chase and friends
Dexter’s Love Interest: Lumen
Deb’s Love Interest: Quinn
The Gist: When I first heard that Julia Stiles was going to guest star on Dexter’s 5th season, I said: “The bad news is that Julia Stiles is guest starring on Dexter next season.  The good news is that Dexter will murder her. “ More bad news:  He didn’t!  Instead he had sexual relations with her several times and helped her overcome a lot of her PTSD issues through the healing power of stab-murdering a bunch of bad guys.  At this point some of the show’s staple elements are really starting to fall flat.  Dexter’s conversations with imaginary (and/or ghost) Harry have progressed from interesting in season 1 to not so interesting in season 3 and 4 to actually pretty annoying in season 5, for one example.

5. Season Two
Primary Season Long Arc: The Bay Harbor Butcher
Dexter’s Love Interest: Rita and Lila
Deb’s Love Interest: Agent Lundy
The Gist: Dexter’s bags of bodies are discovered and the heat is on. Everyone is looking for the Bay Harbor Butcher, including the FBI. Dexter also starts going to alocholics anonymous type meetings where he explores the idea of his “dark passenger” and befriends a crazy person with a ridiculous East End accent named Lila.  Dexter wastes little time as he and Lila really hit it off, by which I mean Lila takes her clothes off and Dexter hits it.  Later he kills her.  Also, she was super annoying, and that’s the sole reason this season ranks last.

Top 20 Movies of the Decade (2000-2009)

After waiting a year (almost) for the movies of 2000-2009 to fully sink in, we’re finally prepared to unleash our best of the decade list. Hold on to your butts.

20. Memento – The infamous “backwards movie” that really launched Christopher Nolan’s career (The Dark Knight, The Prestige, Inception). Nolan packs enough action into his movies to satisfy most everyone, but at the root of his best movies are unique story/narrative concepts that are fully developed and realized via complex plots. Hard to believe that some thought of him as a “gimmick” movie maker when Memento first came out.

19.  Cloverfield – A documentary style horror movie, effectively crossing Godzilla with The Blair Witch Project. Maybe not completely beloved by critics, but beloved by me. Cloverfield‘s faithfulness to its point of view gives the unfolding horrors a sense of realism that heightens their impact.

18. Nine Lives – Nine loosely connected, interwoven vignettes, written and directed by Rodrigo Garcia, son of famed Latin American author, Gabriel Garcia Marquez.

17. Dogville – Lars Von Trier’s controversial 2003 movie starring Nicole Kidman and set on a stage with no props, backdrops, or scenery. Very dark.

16. Adaptation – Charlie Kaufman and his fictional twin, Donald, attempt to adapt Susan Orlean’s  The Orchid Thief.

15. The King of Kong – This documentary tells the story of the all-time Donkey Kong arcade game record, which is surprisingly dramatic. There’s sabotage, conspiracy, and an antagonist so villainous, you wouldn’t believe it if it wasn’t real. Plus a lot of hilarious nerds.

14. O Brother, Where Art Thou? – The Coen Brothers teamed up with George Clooney to make a Depression-era retelling of Homer’s The Odyssey.

13. The Man Who Wasn’t There – Billy Bob Thornton stars in this barber shop Noir. My favorite Coen Brothers movie of the decade, even if it’s not the most critically acclaimed.

12. Brick – This is what happens when you view a high school drama through a Noir lens.

11. The Descent – A horror movie that rises to the challenge of having an actual story with real characters, while remaining truly scary. (Side note: In seventh grade, I made it to the southwest semifinal spelling bee for my state, and I got out on my first word. Descent. Ever since, the word has terrified me.)

10. Eternal Sunshine of the Spotless Mind – Charlie Kaufman’s “what if we could pay to erase our bad memories?” movie, starring Jim Carrey and Kate Winslet.

9. The Lord of the Rings: The Return of the King – Peter Jackson’s fantasy trilogy is probably the best execution ever in this genre.

8. Let the Right One In – Swedish vampire movie that on the surface sounds similar to the plot of something like Twilight, but in reality works as a totally unique, quirky horror movie.

7. Inglourious Basterds – Most critics prefer the Kill Bill movies, but despite many openly sophomoric elements, Basterds struck me as Tarantino’s most mature movie, and it’s my favorite of his from this decade, and maybe my favorite over all.

6. A Tale of Two Sisters – This Korean horror movie combines a “what the hell is going on” plot with a variety of creepy visuals.  It has stuck with me for about 7 years.  (It also was remade into the horrible American horror movie “The Uninvited“.)

5. Shotgun Stories – A blood feud erupts between two families in a rural Arkansas town, and it’s not long before both sides go too far.

4. Amelie – A French story about an eccentric girl and her first secret adventures after a childhood of isolation.

3. The Station Agent – A lonesome dwarf inherits an old train station building in rural New Jersey and befriends some of the locals.

2. The Best of Youth – Originally made for Italian TV, this 6 hour mini-series/movie tells the story of 2 brothers, covering from their high school years up through adulthood.

1. Grizzly Man – The life and death of Timothy Treadwell – the guy who voluntarily lived among the bears in the wild of Alaska for months at a time – filmed by Treadwell himself and pieced together into a documentary by Werner Herzog after Treadwell’s death.  I watched this over 5 years ago and still think about it a lot. It didn’t win the Oscar, in fact it wasn’t even nominated, but it’s number 1 in our book.

Documentary December – Winnebago Man

Jack Rebney is the Winnebago Man – an oddly eloquent yet obscenity laced orator that rose to Youtube fame for the outtakes of an early 1980′s Winnebago promotional video that featured him losing his shit repeatedly and swearing up a damn storm. (My personal favorite quote is “My mind is just a piece of shit this morning.”) As a truly eccentric character – he has lived in the woods alone for the past 15 years – with a flair for hilarious dialogue, he is a kickass subject for a documentary. Director Ben Steinbauer, however, took this great subject and made a merely OK documentary.

First of all, take a look at the original video:

The movie begins with Steinbauer following in the footsteps of “throw it together” documentary filmmakers like Nick Broomfield that essentially make a movie about themselves trying to make a movie. They run down leads and try to get interviews. The narrative follows the filmmaker’s journey rather than the subject’s journey, and the story is told to the audience by the director via lots of voice over rather than letting the footage show us the subject and their story. In this case, Steinbauer talks about his personal history with the Winnebago Man video, which actually dates back to the pre-Youtube era of funny videos being spread via hand copied VHS tapes. He then details his early efforts in finding Rebney and setting up an interview with him. In an already very short movie (less than 90 minutes), this is fluff, and there’s an annoying “golly gee, funny videos make everyone happy” quality to the early voice over segments to make it a little worse.

TV Casualties Rating: out of 5

Run Time: 85 minutes

Directed by: Ben Steinbauer

Starring: Jack Rebney

Theatrical Release: 07/09/10

DVD Release: 11/02/10

Production Budget: N/A

Domestic Gross: $181K

Metacritic Score: 71/100

Rotten Tomatoes Rating: 91%

As the film progresses, we meet Rebney and he’s exactly the same guy we’ve seen on youtube – sure, he’s older, in his mid to late 70′s, but just as intense, quick-witted and foul-mouthed as he was that day in the Winnebago 20 odd years ago. And here’s the film’s real flaw – we ultimately don’t see a ton of footage of Rebney just being himself. Steinbauer fights with him about talking about his childhood and opening up to people, which Rebney has no interest in. Rebney is extremely skeptical of Youtube and his so-called fanbase, whom he misunderstands and assumes to be laughing at him rather than being amused by his turns of filthy phrase.

Rebney’s dream is to write books about politics and philosophy. He agrees to work on Steinbauer’s project merely for the chance to spread his ideas. Winnebago Man reveals almost none of the content of his message and all the footage is condensed into showing him being defensive about “opening up to people.” Without revealing the ending, the “opening up” storyline does pay off in a satisfying way, and I did feel like Rebney was changed by the experience of making this documentary. Still, I wanted to know Rebney better, not in a superficial “what was your childhood like?” way, but in an adult “what are you genuinely passionate about today?” way. Instead I got a Rebney reduced to a hermit caricature to fit Steinbauer’s sappy ode to the power of funny videos. Golly gee, that’s swell.

Documentary December – The Wild and Wonderful Whites of West Virginia

It’s the Appalachian equivalent of Jersey Shore.  The opening minutes of Julien Nitzberg’s documentary, “The Wild and Wonderful Whites of West Virginia“, give a rapid fire family history of the film’s subject, the White family of Boone County, West Virginia.  A gun shot sound effect punctuates.  The patriarch, D. Ray White, was a clog/tap dancer, growing famous both for his unique performances as well as his outlaw lifestyle that ultimately resulted in him getting shot and killed.  His sons attempted to follow in his footsteps, perhaps finding more success in terms of achieving the outlaw lifestyle than anything else. One died a violent death at a young age, one fled the area to keep out of trouble, and the most famous, Jesco White, has brain damage from “ten long years of huffing gasoline.”  He isn’t sure if the damage is on the left or right side of his brain, but does recall the doctor saying that in essence he has a hole in his brain where the remaining tissue is like cigarette ash.  (Jesco is the subject of a 1991 PBS documentary called “Dancing Outlaw” which we plan to review later in the month.)

TV Casualties Rating: out of 5

Run Time: 84 minutes

Directed by: Julien Nitzberg

Starring: Jesco White, Hank Williams III

Theatrical Release: 05/05/2010

DVD Release: 10/26/2010

Production Budget: N/A

Domestic Gross: N/A

Metacritic Score: N/A

Rotten Tomatoes Rating: 50%

In many ways, this super quick opening summary is the most compelling part of the film.  The outlaw life and death is dramatic and intriguing from a distance.  It all gets uglier upon closer examination.

After the shock of the family’s violent history, Nitzberg moves into the day to day life of the Whites, which is an all you can eat, smoke and snort buffet of prescription drugs, whiskey and weed. We watch a new mother chop and snort oxycontin off the hospital room end table a few hours after giving birth.  We see two 50-60 year olds blow smoke in their 85 year old mother’s face during her birthday party.  We meet a lot of family members that talk way slower than Tommy Chong.

The Whites have a histrionic streak about as wide as the New River Valley Gorge.  Family members trade off bragging about using and selling drugs or committing acts of violence.  They take an enormous amount of pride in their fame and the attention they get for being so dysfunctional.  The infamy and death are glorified as much as possible.

But generations of this lifestyle lead to a value system that a normal person can’t really comprehend until they watch this.  Drugs and violence have been such a part of the Whites lives now for so long that they have no real sense of the negative effects they can have, even in the case of guarding their kids from them.  There are scenes of one of the 5 or 6 year old kids drinking 6 or 7 cans of Pepsi and bouncing off the walls.  How many years until it’s something more serious? In later scenes, the same child threatens to murder his estranged father. His aunt’s response is something along the lines of, “You wanna go to jail? Don’t say that kinda stuff on camera.”

In the end, there isn’t really a single clear cut good guy among The White clan.  Jesco may be the most articulate and charming, which is insane considering his aforementioned brain issues.  The family is fascinating on a certain level, but there is ultimately no real substance to their story.  The violence of a train wreck is visceral and thrilling, but the aftermath, the reality, is no fun.

Ranking the New Shows: #6 – Nurse Jackie

In an early, draft of this list, we had Showtime’s “Nurse Jackie” ranked as high as #2, but over time it slid down to#6.

The show: “Nurse Jackie“

Synopsis: A Vicodin addicted nurse tries to balance a hectic work life with a messy love life

Debuted: June 9th, 2009

Our take: I started out really enthusiastic about Nurse Jackie, but by the end of the season my interest had petered out. The way the characters were first introduced was great- nursing student Zoey hovers awkwardly until Jackie snaps. Jackie manipulates her boyfriend into giving her drugs without him realizing that’s all she’s interested in.  And then the show seemed to be dragging it’s feet, which is bad news when your episodes are only half an hour long. The half hour format in itself is an odd fit- I think they were going for a Weeds-style dark dramedy, but a lot of the humor after the first few episodes didn’t work.

For the first few episodes, Nurse Jackie was “gray”- she was snorting pain killers and unabashedly using her boyfriend to get more (behind her husband’s back, of course), and you’re not really sure how you feel about all of this. Mid-season Jackie becomes almost two separate characters- in some scenes she’s clearly written so the audience is with her. In others we’re meant to be against her. There’s something ballsy about putting a character out there that you’re not entirely sure how the audience will react to, and I feel like the writers of “Nurse Jackie” lost their nerve. They write to manipulate, knowing how the audience will react to every scene. A better and more consistent “gray” character can be found in Mad Men’s Don Draper.

What it would need to do to keep me watching: Bring sassy, cynical, verging on angry Jackie back, and let us decide whether or not we’re disgusted or not by her behavior. Oh yeah, and leave the weird slapstick comedy moments out.

Ranking the New Shows: #7 – Eastbound and Down

Danny McBride’s HBO comedy, “Eastbound & Down,” comes in at #7.  Of the 3 half hour comedies in our top 10, this is easily the foulest.

The show: “Eastbound & Down“
Synopsis: Former professional baseball star returns home in shame to teach a high school gym class before mounting his comeback attempt.
Debuted: February 15th, 2009
Our take: There are fairly consistent laughs, mostly coming from McBride and his trusty sidekick Stevie (Steve Little).   The show is largely adlibbed, which winds up being a gift and a curse.  When it works, it’s pretty much hilarious and completely unique.  The problem arises in that it misses just as often, and it comes off as lazy and uninspired.  There are stretches where it seems like no one is trying.  There are also scenes where it seems like the actors are fighting each other for attention, hamming it up to be the funniest one in the scene and those fall really flat as well.  We were also a little disappointed in the way that former “Deadwood” star John Hawkes was used (or should we say wasn’t used?)

What it would need to do to keep me watching: The first season was only 6 episodes.  It’s hard to imagine where the show will go from this point.  It almost has to change directions to some degree, so that could be interesting.  If it showed a little more discipline, it could be one of our highest rated.

Ranking the New Shows: #8 – True Blood

Crap! Fall is here and we’ve falling behind on our rankings.  Let’s try to speed this up.
“True Blood” is up at number 8. The show is incredibly faithful to the whole vampire thing… and by that I mean it sucks.

The show: “True Blood“
Synopsis: Girl bangs vampire.
Debuted: September 7th, 2008
Our take: It’s a good thing for HBO’s “True Blood” that I ranked these shows before the second season came out. While the show’s Nielsen ratings have doubled from last year, they lost at least two viewers in the TV Casualties screening room.

I gave the show 14 or 15 episodes before I threw in the towel. Looking back, the pilot struck me as mediocre, especially considering the talent behind the series. From that point, the series went downhill quickly. I was such a big fan of Alan Ball’s “Six Feet Under” that when I first heard about HBO developing this series, I ran out and read all of the books it’s based on.  I haven’t hated a show this much since “Nip/Tuck,” and I might hate this one more because I had so much invested in it.

What it would need to do to keep me watching: There’s so much wrong with “True Blood” that I can’t imagine it surviving any of the surgical removals I’d recommend. Mainly Anna Paquin. I can’t recall encountering a more obnoxious, irrational, and just plain dumb main character in any book, show, or movie.

Ranking the New Shows: #9 – Fringe

Of all of Fox’s recent attempts at the science fiction genre, “Fringe” looks like the most likely to succeed. It made number 9 on our list of best new shows.

The show: “Fringe”
Synopsis: Remember the “The X-Files“?
Debuted: September 9th, 2008
Our take: “The X-Files“ plus insane doctor equals awesome. Some of the time. John Noble carries this show as the mad scientist Walter Bishop. His absurd comments and non sequiturs add an element of quirky comedy to what would otherwise be a crappy cop drama with aliens and monsters. Not only does he make me laugh out loud several times an episode, but the show relies on him to deliver huge chunks of exposition to sell the “scientific” explanation of the disease/monster/wereporcupine of the week to the audience (with little help from the script).
This leads me to the main problem, which is that the story of the week element is extremely formulaic. And the formula is a pretty mediocre one. Even if I suspend belief to swallow the week’s pseudo-scientific disaster, the reactions of the characters and their subsequent solutions are much too cozy for me to buy. (How many times are they going to download images from a dead person’s brain or shove Olivia back into the Sensory Deprivation Chamber?) The season long story arc has compelling aspects but gets buried, and the suspense in general is lacking.
What it would need to do to keep me watching: I’ll keep watching for John Noble, and I do see some potential in the show as a whole, but I’ll never be a devoted fan until they invest more in the long term plot.

Ranking the New Shows: #11 – Dollhouse

Fox’s “Dollhouse” was one of the most anticipated new series this year, but many feel it was lucky to be picked up for a second season. It lands just shy of the Top Ten on our list.

The show: “Dollhouse“
Synopsis: The Dollhouse is an underground organization that uses new technology to program “actives” – people that have had their personalities wiped – to fulfill a wide arrange of missions. Contrary to standard Dollhouse procedure, Echo (Eliza Dushku) seems to be remembering more and more of her pre-Doll life, while FBI agent Paul Ballard (Tahmoh Penikett) races to expose the organization and save the girl.
Debuted: February 13, 2009
Our take: “Dollhouse” had a lot of problems before it even aired- a complete halt in production, a pilot that was canned (the original will be available on the DVD), and continuing conflict between the network and creator Joss Whedon. The final product reflects those problems. I spend a lot of my time watching “Dollhouse” trying to figure out what the writers are going for. What is the hook? What is it that they can’t wait to unleash on the audience? Nothing here really grabs me. Whedon’s previous work, like “Buffy the Vampire Slayer” and “Angel“, thrived on quirky humor and major plot twists. “Dollhouse” takes itself more seriously than either of those but doesn’t have the dramatic impact to back it up. The comedy primarily comes through Topher, the nerdy Doll programmer, whom finds himself so amusing it’s way more annoying than funny. The plot twists fail to surprise. I keep waiting for something bigger to happen, but the suspense is non-existent. Perhaps the biggest problem with “Dollhouse” is that the starring role doesn’t fit their lead actress. Dushku doesn’t have the chops to pull off a role that requires her to play a different character every week. She mostly winds up looking constantly confused. It’s highlighted further because the other two Dolls (Sierra and Victor) show tons of range and pull off a variety of characters convincingly and entertainingly. The writers addressed this issue somewhat after the first few episodes by simplifying Echo’s role and focusing more on side characters.
What it would need to do to keep me watching: “Dollhouse” has been a frustrating viewing experience so far, but I stuck with it through the first season, and I’ll give it a chance next year. The show did improve over the course of the first run of episodes, but I’m sticking with it more out of faith in Joss Whedon than anything the show has done.

Ranking the New Shows: #12 – Raising the Bar

Our pick for 12th best new show of the year is “Raising the Bar“, which is the only courtroom drama in the mix (and also the only one to feature Zack Morris).

The show: “Raising the Bar”
Synopsis: Facing off in court by day and hitting the town for cosmos at night, a group of assistant district attorneys and public defenders make strange bedfellows and brosephs in “Raising the Bar.”
Debuted: September 1, 2008
Our take: There’s something a little hard to swallow about this show’s premise at its most fundamental level. I just can’t quite buy the way everyone is more or less friends or at least really personally involved with each other. If they were all in one office it would still be a stretch, but they’re not, so it gets a bit silly. That said, Mark-Paul Gosselaar is a surprisingly charismatic lead (aside from his hair), and the court room scenes are mostly handled well enough. Court room dramas are not a particular interest of mine, but this has kept me engaged by taking a more reasonable and procedural approach rather than the melodramatic. In fact, I’ll go beyond that to say I’ve been particularly impressed with all of the guest actors playing witnesses. It says something about the quality of a production when they take such care in casting even the smallest roles.
What it would need to do to keep me watching: The show makes it hard to root for the DAs much, which undermines some of the drama. The romantic interest of the early episodes also left me a little cold. If they could balance these issues out, I might give it another chance, but like I said, I’m not a big fan of court room dramas to begin with.

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