Ranking the seasons: Dexter
December 22, 2010 by Tim & Lex
Filed under Best _____ Ever Lists, TV, TV Reviews
The fifth installment of Showtime’s serial killer saga, “Dexter”, delivered the highest ratings yet, and the show was already the most watched in network history, so we can probably assume the series will go as long as star Michael C. Hall remains interested. (Fun fact: Hall’s marriage to co-star Jennifer Carpenter [AKA Dexter's sister Deb] is apparently headed for divorce, which could add some extra tension to the set as both will be back next year.) But, ratings aside, how did this season stack up to the rest on a scale of 1 to awesome? Let’s rank them shits.
1. Season One
Primary Season Long Arc: The Ice Truck Killer
Dexter’s Love Interest: Rita
Deb’s Love Interest: Rudy
The Gist: “Tonight’s the night.” The bright colors of Miami juxtapose with the detached, sardonic voice over – the Dexter deadpan. Enter Dexter Morgan – blood spatter forensics expert by day, blood spattering serial killer by night. He’s cleaning up the streets of Florida the old fashioned way – by dumping garbage bags full of the mutilated bodies of criminals into the Atlantic. The clash of styles between the emotionless Dexter and the flair of Miami’s culture – from loud music to loud shirts – were still new and exciting in the first season. These style elements eventually became routine, but what really cements the debut season as a clear number 1 was a plot that was mysterious not only on the surface level of the twists and turns of the Ice Truck Killer case, but in terms of digging into Dexter’s past and uncovering something that fundamentally changes his interpretation of his own identity. It was almost an origin story that pieced itself together in flashbacks over the course of the season. The writers would try to repeat this in future seasons but would ultimately fail to satisfy.
2. Season Four
Primary Season Long Arc: The Trinity Killer
Dexter’s Love Interest: Rita (married)
Deb’s Love Interest: Anton and Lundy
The Gist: Dexter’s 4th installment is best known for the shock of the season’s cliffhanger ending – Dexter returning home to find his wife, Rita, murdered in the bathtub. The season also had another shocking death earlier in the year as Agent Lundy is shot and killed in the middle of a conversation with Deb. It’s probably those dramatic exits of 2 longtime characters that push this season just above the rest of the pack, but John Lithgow made a decent serial killer in his guest stint as well.
3. Season Three
Primary Season Long Arc: DA Miguel Prado gets hands on with some perps
Dexter’s Love Interest: Rita (engaged)
Deb’s Love Interest: Anton
The Gist: The 3rd season is nuts. Somehow Dexter becomes a serial killing mentor to district attorney Miguel Prado, played by Jimmy Smits. Despite the goofiness of the DA/serial killer tandem-ing, I actually liked Smits. Eventually, though, the conflict that arises between him and Dexter gets a little melodramatic and seems to drag on for too long before it finally resolves itself in a completely predictable fashion. A lot of the side stories really started to get annoying this year, too – like Deb banging the partially skinned club musician, Anton (David Ramsey). During those scenes I was hoping Miguel and Dexter would burst into my actual house and put me out of my misery.
4. Season Five
Primary Season Long Arc: Jordan Chase and friends
Dexter’s Love Interest: Lumen
Deb’s Love Interest: Quinn
The Gist: When I first heard that Julia Stiles was going to guest star on Dexter’s 5th season, I said: “The bad news is that Julia Stiles is guest starring on Dexter next season. The good news is that Dexter will murder her. “ More bad news: He didn’t! Instead he had sexual relations with her several times and helped her overcome a lot of her PTSD issues through the healing power of stab-murdering a bunch of bad guys. At this point some of the show’s staple elements are really starting to fall flat. Dexter’s conversations with imaginary (and/or ghost) Harry have progressed from interesting in season 1 to not so interesting in season 3 and 4 to actually pretty annoying in season 5, for one example.
5. Season Two
Primary Season Long Arc: The Bay Harbor Butcher
Dexter’s Love Interest: Rita and Lila
Deb’s Love Interest: Agent Lundy
The Gist: Dexter’s bags of bodies are discovered and the heat is on. Everyone is looking for the Bay Harbor Butcher, including the FBI. Dexter also starts going to alocholics anonymous type meetings where he explores the idea of his “dark passenger” and befriends a crazy person with a ridiculous East End accent named Lila. Dexter wastes little time as he and Lila really hit it off, by which I mean Lila takes her clothes off and Dexter hits it. Later he kills her. Also, she was super annoying, and that’s the sole reason this season ranks last.
Top 20 Movies of the Decade (2000-2009)
December 15, 2010 by Tim & Lex
Filed under Best _____ Ever Lists, Movie Reviews, Movies
After waiting a year (almost) for the movies of 2000-2009 to fully sink in, we’re finally prepared to unleash our best of the decade list. Hold on to your butts.
20. Memento – The infamous “backwards movie” that really launched Christopher Nolan’s career (The Dark Knight, The Prestige, Inception). Nolan packs enough action into his movies to satisfy most everyone, but at the root of his best movies are unique story/narrative concepts that are fully developed and realized via complex plots. Hard to believe that some thought of him as a “gimmick” movie maker when Memento first came out.
19. Cloverfield – A documentary style horror movie, effectively crossing Godzilla with The Blair Witch Project. Maybe not completely beloved by critics, but beloved by me. Cloverfield‘s faithfulness to its point of view gives the unfolding horrors a sense of realism that heightens their impact.
18. Nine Lives – Nine loosely connected, interwoven vignettes, written and directed by Rodrigo Garcia, son of famed Latin American author, Gabriel Garcia Marquez.
17. Dogville – Lars Von Trier’s controversial 2003 movie starring Nicole Kidman and set on a stage with no props, backdrops, or scenery. Very dark.
16. Adaptation – Charlie Kaufman and his fictional twin, Donald, attempt to adapt Susan Orlean’s The Orchid Thief.
15. The King of Kong – This documentary tells the story of the all-time Donkey Kong arcade game record, which is surprisingly dramatic. There’s sabotage, conspiracy, and an antagonist so villainous, you wouldn’t believe it if it wasn’t real. Plus a lot of hilarious nerds.
14. O Brother, Where Art Thou? – The Coen Brothers teamed up with George Clooney to make a Depression-era retelling of Homer’s The Odyssey.
13. The Man Who Wasn’t There – Billy Bob Thornton stars in this barber shop Noir. My favorite Coen Brothers movie of the decade, even if it’s not the most critically acclaimed.
12. Brick – This is what happens when you view a high school drama through a Noir lens.
11. The Descent – A horror movie that rises to the challenge of having an actual story with real characters, while remaining truly scary. (Side note: In seventh grade, I made it to the southwest semifinal spelling bee for my state, and I got out on my first word. Descent. Ever since, the word has terrified me.)
10. Eternal Sunshine of the Spotless Mind – Charlie Kaufman’s “what if we could pay to erase our bad memories?” movie, starring Jim Carrey and Kate Winslet.
9. The Lord of the Rings: The Return of the King – Peter Jackson’s fantasy trilogy is probably the best execution ever in this genre.
8. Let the Right One In – Swedish vampire movie that on the surface sounds similar to the plot of something like Twilight, but in reality works as a totally unique, quirky horror movie.
7. Inglourious Basterds – Most critics prefer the Kill Bill movies, but despite many openly sophomoric elements, Basterds struck me as Tarantino’s most mature movie, and it’s my favorite of his from this decade, and maybe my favorite over all.
6. A Tale of Two Sisters – This Korean horror movie combines a “what the hell is going on” plot with a variety of creepy visuals. It has stuck with me for about 7 years. (It also was remade into the horrible American horror movie “The Uninvited“.)
5. Shotgun Stories – A blood feud erupts between two families in a rural Arkansas town, and it’s not long before both sides go too far.
4. Amelie – A French story about an eccentric girl and her first secret adventures after a childhood of isolation.
3. The Station Agent – A lonesome dwarf inherits an old train station building in rural New Jersey and befriends some of the locals.
2. The Best of Youth – Originally made for Italian TV, this 6 hour mini-series/movie tells the story of 2 brothers, covering from their high school years up through adulthood.
1. Grizzly Man – The life and death of Timothy Treadwell – the guy who voluntarily lived among the bears in the wild of Alaska for months at a time – filmed by Treadwell himself and pieced together into a documentary by Werner Herzog after Treadwell’s death. I watched this over 5 years ago and still think about it a lot. It didn’t win the Oscar, in fact it wasn’t even nominated, but it’s number 1 in our book.
Documentary December – The Wild and Wonderful Whites of West Virginia
December 8, 2010 by Tim & Lex
Filed under Indies, Oddities and the Underground, Movie Reviews, Movies
It’s the Appalachian equivalent of Jersey Shore. The opening minutes of Julien Nitzberg’s documentary, “The Wild and Wonderful Whites of West Virginia“, give a rapid fire family history of the film’s subject, the White family of Boone County, West Virginia. A gun shot sound effect punctuates. The patriarch, D. Ray White, was a clog/tap dancer, growing famous both for his unique performances as well as his outlaw lifestyle that ultimately resulted in him getting shot and killed. His sons attempted to follow in his footsteps, perhaps finding more success in terms of achieving the outlaw lifestyle than anything else. One died a violent death at a young age, one fled the area to keep out of trouble, and the most famous, Jesco White, has brain damage from “ten long years of huffing gasoline.” He isn’t sure if the damage is on the left or right side of his brain, but does recall the doctor saying that in essence he has a hole in his brain where the remaining tissue is like cigarette ash. (Jesco is the subject of a 1991 PBS documentary called “Dancing Outlaw” which we plan to review later in the month.)
|
TV Casualties Rating: |
| Run Time: 84 minutes |
| Directed by: Julien Nitzberg |
| Starring: Jesco White, Hank Williams III |
| Theatrical Release: 05/05/2010 |
| DVD Release: 10/26/2010 |
| Production Budget: N/A |
| Domestic Gross: N/A |
| Metacritic Score: N/A |
| Rotten Tomatoes Rating: 50% |
In many ways, this super quick opening summary is the most compelling part of the film. The outlaw life and death is dramatic and intriguing from a distance. It all gets uglier upon closer examination.
After the shock of the family’s violent history, Nitzberg moves into the day to day life of the Whites, which is an all you can eat, smoke and snort buffet of prescription drugs, whiskey and weed. We watch a new mother chop and snort oxycontin off the hospital room end table a few hours after giving birth. We see two 50-60 year olds blow smoke in their 85 year old mother’s face during her birthday party. We meet a lot of family members that talk way slower than Tommy Chong.
The Whites have a histrionic streak about as wide as the New River Valley Gorge. Family members trade off bragging about using and selling drugs or committing acts of violence. They take an enormous amount of pride in their fame and the attention they get for being so dysfunctional. The infamy and death are glorified as much as possible.
But generations of this lifestyle lead to a value system that a normal person can’t really comprehend until they watch this. Drugs and violence have been such a part of the Whites lives now for so long that they have no real sense of the negative effects they can have, even in the case of guarding their kids from them. There are scenes of one of the 5 or 6 year old kids drinking 6 or 7 cans of Pepsi and bouncing off the walls. How many years until it’s something more serious? In later scenes, the same child threatens to murder his estranged father. His aunt’s response is something along the lines of, “You wanna go to jail? Don’t say that kinda stuff on camera.”
In the end, there isn’t really a single clear cut good guy among The White clan. Jesco may be the most articulate and charming, which is insane considering his aforementioned brain issues. The family is fascinating on a certain level, but there is ultimately no real substance to their story. The violence of a train wreck is visceral and thrilling, but the aftermath, the reality, is no fun.
Ranking the New Shows: #13 – Better Off Ted
June 29, 2009 by Tim & Lex
Filed under TV, TV Reviews
Number 13 is up, and is one of only five sitcoms (and the only not on a premium channel).
The show: “Better Off Ted“
Synopsis: Ted is the head of Research and Development for one of the largest corporations in the country. He deals with zany scientists, a crazy boss, and a wacky girl that steals all the office’s creamer! It’s “Arrested Development” set in a corporate environment, sans all of the funny cast members. (They should have called it “Arrested Research and Development”.)
Debuted: March 18th, 2009
Our take: This might be the most damningly lukewarm phrase you can give a comedy: “Better Off Ted” is mildly amusing. It’s shooting for quirky and silly but has a severe lazy streak. For example, Phil’s (Jonathan Slavin) high pitched squeal that surfaced as a side effect of his experimental cryogenic freezing was maybe-kinda-sorta funny the first time… and not at all the 438 times after that. Casting Portia de Rossi as the shallow, cold, robotic corporate boss is equally lazy. They basically took her role from “Arrested Development” and crossed it with her role in “Ally McBeal
.” In fairness, it’s consistently clever, and never suffers from the cringe/groan-inducing clunkers that sink most sitcoms. It’s a watchable show, but it doesn’t make me laugh.
What it would need to do to keep me watching: If they did “Arrested Development” justice, I’d watch. “Arrested Development” was full of surprises and a wide range of jokes- from George Michael’s awkwardness to Tobias’ blustering double entendres. “Better Off Ted” is one dimensional and repetitive in comparison.


