Documentary December – Last Train Home

In many ways, life in China is almost incomprehensible to the average American. Lixin Fan’s documentary, Last Train Home, gives us a glimpse, a sometimes disturbing one, of life in China through the lens of one family of migrant workers.

TV Casualties Rating: out of 5

Run Time: 86 minutes

Directed by: Lixin Fan

Starring: Zhang Changhua, Chen Suqin, Qin Zhang

Theatrical Release: 09/5/10

DVD Release: 2/22/11

Production Budget: N/A

Domestic Gross: $272,556

Metacritic Score: 86/100

Rotten Tomatoes Rating: 100%

The movie opens with a shot panning across an endless crowd of people – I’d guess in the six figure range – standing outside of a train station in the rain. Every year 130 million migrant workers head home for the Chinese New Year, which, we’re told via text on the screen, is the largest human migration in the world. The subjects of the film, Zhang Changhua and Chen Suqin, have been making this annual trek for roughly 20 years – starting when they were just 16 years old and dropped out of school to find work, a decision which they not only regret but seems to consume them – even after 20 years, they bring it up constantly. The couple spends the rest of the year living in a tiny bunk down the hall from the factory where they sew jeans and other garments to be shipped to the Western world.

They arrive home at the family farm to spend time with their 16 year old daughter, 10 year old son and the grandmother that is raising the children with the financial help of the factory money. Their visit is awkward. Spending around 51 weeks a year away at work, they don’t know their own kids very well. Their daughter, Qin, is openly angry at her parents and rebellious. Ironically, and against all the parental advice she’s ever received, Qin drops out and gets a factory job similar to that of her parents. Her parents are confused and upset by her decision. Her mother says, “I’d rather work even harder than have Qin work.”

While there are many differences from American life to be seen, in some ways the similarities are more striking. The first words out of Qin’s younger brother’s mouth when his parents show him the cell phone they bought Qin are, “Does it have games?” During an argument with her mother, Qin says, “I don’t care what you say.” Teen angst and rebellion, it appears, are universal.

If the most important thing in someone’s life is spending time with the people they care about, the economic situation in China has removed this aspect of life almost completely. Last Train Home doesn’t beat this idea over your head, but by the end you realize that’s what it’s all about.

Documentary December – Exit Through the Gift Shop

There’s a lot of speculation regarding how true the events portrayed in the Banksy documentary, Exit Through the Gift Shop, actually are. After considering it a while, I’ve decided that I have no goddamn idea. But let’s start at the beginning.

TV Casualties Rating: out of 5

Run Time: 86 minutes

Directed by: Banksy, Shepard Fairy

Starring: Thierry Guetta, Banksy, Shepard Fairy

Theatrical Release: 04/16/10

DVD Release: 12/14/10

Production Budget: N/A

Domestic Gross: $3.29 million

Metacritic Score: 85/100

Rotten Tomatoes Rating: 97%

Exit Through the Gift Shop tells the story of Thierry Guetta and the eight years he spent relentlessly shooting footage for his great street art documentary, Life Remote Control. Thierry begins filming his cousin, whom goes by the moniker Space Invader, as his graffiti deals exclusively with the imagery of the ancient video game of the same name. Almost instantly upon shooting Space Invader in action, Thierry is obsessed. He quickly branches out from there, slowly but surely meeting and filming the biggest artists in street art including arguably the biggest name, Banksy, whom is shown only in shadow. Thierry travels the world, filming the hijinks. He scales buildings side by side with the graffiti artists he films and tightropes the peaks of steep rooftops to get the perfect shot. The artists respect his enthusiasm and fearlessness and not only let Thierry shoot them freely but befriend him in the process.

It’s not until much later – approximately 6 or 7 years, in fact – that they realize he is in no way a legitimate filmmaker. He is just a guy that compulsively films everything around him, never bothering to watch the boxes and boxes of tapes lining the walls of his residence. (As Banksy describes it, “I realized Thierry was not a filmmaker but a guy with mental problems.”)

This is where the reality of the events begin to come into question. At Banksy’s insistence, Thierry does attempt to edit together a movie out of his countless hours of footage. We are shown a couple of clips of the final product, which are essentially micro-fragments of nonsense strung together. No shot is over 1 or 2 seconds, nor do they relate to clips before or after them. Totally incoherent.

It’s at this point that Banksy takes over the project and Thierry takes on the street art name Mr. Brainwash and sets out to make a name for himself. The idea that the latter is a hoax has been put forth many times, and I really can’t say. I don’t want to ruin the ending of the movie by giving a lot of details, but I’ll say that the whole thing is almost too clever to be completely true and all of the facts represented accurate.

In any case, Exit Through the Gift Shop is an entertaining movie. It isn’t really the definitive street art documentary that Thierry may or may not have ever intended it to be, though if there’s a hoax involved it does make a fitting piece in Banksy’s collection. Thierry is an interesting character, however much fact or fiction he truly is.

Documentary December – Winnebago Man

Jack Rebney is the Winnebago Man – an oddly eloquent yet obscenity laced orator that rose to Youtube fame for the outtakes of an early 1980′s Winnebago promotional video that featured him losing his shit repeatedly and swearing up a damn storm. (My personal favorite quote is “My mind is just a piece of shit this morning.”) As a truly eccentric character – he has lived in the woods alone for the past 15 years – with a flair for hilarious dialogue, he is a kickass subject for a documentary. Director Ben Steinbauer, however, took this great subject and made a merely OK documentary.

First of all, take a look at the original video:

The movie begins with Steinbauer following in the footsteps of “throw it together” documentary filmmakers like Nick Broomfield that essentially make a movie about themselves trying to make a movie. They run down leads and try to get interviews. The narrative follows the filmmaker’s journey rather than the subject’s journey, and the story is told to the audience by the director via lots of voice over rather than letting the footage show us the subject and their story. In this case, Steinbauer talks about his personal history with the Winnebago Man video, which actually dates back to the pre-Youtube era of funny videos being spread via hand copied VHS tapes. He then details his early efforts in finding Rebney and setting up an interview with him. In an already very short movie (less than 90 minutes), this is fluff, and there’s an annoying “golly gee, funny videos make everyone happy” quality to the early voice over segments to make it a little worse.

TV Casualties Rating: out of 5

Run Time: 85 minutes

Directed by: Ben Steinbauer

Starring: Jack Rebney

Theatrical Release: 07/09/10

DVD Release: 11/02/10

Production Budget: N/A

Domestic Gross: $181K

Metacritic Score: 71/100

Rotten Tomatoes Rating: 91%

As the film progresses, we meet Rebney and he’s exactly the same guy we’ve seen on youtube – sure, he’s older, in his mid to late 70′s, but just as intense, quick-witted and foul-mouthed as he was that day in the Winnebago 20 odd years ago. And here’s the film’s real flaw – we ultimately don’t see a ton of footage of Rebney just being himself. Steinbauer fights with him about talking about his childhood and opening up to people, which Rebney has no interest in. Rebney is extremely skeptical of Youtube and his so-called fanbase, whom he misunderstands and assumes to be laughing at him rather than being amused by his turns of filthy phrase.

Rebney’s dream is to write books about politics and philosophy. He agrees to work on Steinbauer’s project merely for the chance to spread his ideas. Winnebago Man reveals almost none of the content of his message and all the footage is condensed into showing him being defensive about “opening up to people.” Without revealing the ending, the “opening up” storyline does pay off in a satisfying way, and I did feel like Rebney was changed by the experience of making this documentary. Still, I wanted to know Rebney better, not in a superficial “what was your childhood like?” way, but in an adult “what are you genuinely passionate about today?” way. Instead I got a Rebney reduced to a hermit caricature to fit Steinbauer’s sappy ode to the power of funny videos. Golly gee, that’s swell.

Pass or Fail: Grading NBC’s New Trailers Pt 1

Undercovers

As a fan of J.J. Abrams, I was looking forward to this one the most. Unfortunately, I was already saying “meh” at the 10 second mark. Too cheesy. Then I got to “sexspionage” and I kinda wanted to throw up.

Fail

Friends With Benefits

I was pleasantly surprised at the beginning, but less so as the trailer went on. I’m a fan of Ryan Hansen (Veronica Mars, Party Down), not so much when it comes to Fran Kranz (Dollhouse), though a comedy should suit him better than a drama.

Pass

Outsourced

The lead actor is weak. The jokes are dumb – intentionally I’m sure, but dumb all the same.

Fail

Love Bites

The voice over (and hair) left me cringing. It seems to be going for a Sex and the City type vibe. Ugh. (Tim says: Having a penis, I was not even remotely interested. Lex says: Having a vagina, I was not even remotely interested.)

Fail

Perfect Couples

Despite myself, this one made me laugh. More than once.

Pass

Paul Reiser Show

I don’t even have to watch the trailer. The name says it all. I’d honestly prefer a remake of My Two Dads.

Fail

The Event

I’m not expecting a lot from this after being severely disappointed by both V and FlashForward, but the trailer piqued my interest which is all you can really hope for with a trailer.

Pass